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bret vukoder

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  • The Origins And Myths Of Modern Architecture

    Modern Architecture began with the advent of electric power; once harnessed the power of electricity produced steel for structure, drives to operate elevators, and even telephones to comunicate specifications instantly. With electric power modern architecture was free to separate from classical architecture as clearly defined by Rushkin who claimed that: "... once metal touches stone it is no ... Read more

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  • Expo 67

    Not Just a Souvenir

    Expo 67, the world's fair held in Montreal during the summer of 1967, brought architecture, art, design, and technology together into a glittering modern package. Heralding the ideal city of the future to its visitors, the Expo site was perceived by critics as a laboratory for urban and architectural design as well as for cultural exchange, intended to enhance global understanding and ... Read more

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  • Jean-Luc Godard, Cinema Historian

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    Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt ... Read more

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  • Comics in French

    The European Bande Dessinée in Context

    Series Book 14 - Polygons: Cultural Diversities and Intersections
    Whereas in English-speaking countries comics are for children or adults ‘who should know better’, in France and Belgium the form is recognized as the ‘Ninth Art’ and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle ... Read more

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  • The Cinema of Agnès Varda

    Resistance and Eclecticism

    Series series Directors' Cuts
    Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study ... Read more

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  • The Lumière Galaxy

    Seven Key Words for the Cinema to Come

    Series series Film and Culture Series
    Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations.Casetti travels from the remote corners of film history and theory ... Read more

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  • Chris Marker

    Memories of the Future

    Chris Marker is one of the most extraordinary and influential film-makers of our time. In landmark films such as Letter from Siberia (1958), La Jetée (1962), Sans Soleil (1982) and Level Five (1996), he overturned the conventions of the cinema, confounding normal distinctions between documentary and fiction, private and public concerns, writing and visual recording, and the still and moving image. ... Read more

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  • No Medium

    by Craig Dworkin ...
    Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media.In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, ... Read more

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  • The End of Cinema?

    A Medium in Crisis in the Digital Age

    Series series Film and Culture Series
    Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.The authors begin ... Read more

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  • Canadian Film

    Perspectives on Canadian Culture

    Canadian Film is a historical overview of film in both English and French Canada, from its early use to encourage immigration and, in Quebec, to promote traditional fidelities, to its struggles to project a uniquely Canadian identity and experience. All major modes of film are discussed—the documentary tradition from the NFBs wartime production to the award winners of the eighties, fictional film ... Read more

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  • After Uniqueness

    A History of Film and Video Art in Circulation

    by Erika Balsom ...
    Series series Film and Culture Series
    Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this ... Read more

    $33.99 USD